Paul Hanson and Raze the Maze have created a new album that doesn't just defy genre - it redefines it. From hypnotic grooves to expansive solos, Calliope is a bold musical statement that will captivate and challenge listeners. It's beautifully complicated, like the intoxicating and wild ride of your first relationship.
Paul Hanson has redefined the possibilities of the bassoon, a traditionally classical instrument, by bringing it into new realms of jazz, rock and world music. Known for his improvisational genius and technical prowess, Hanson has performed concertos with local symphonies and performed with musical legends Bela Fleck, Wayne Shorter, Jon Batiste, Billy Cobham amongst others. His reputation as an innovator has only grown, with critics praising his ability "to transform the bassoon from a symphony orchestra instrument into a viable workhorse for extended solos."
Raze the Maze hails from the San Francisco Bay Area and currently resides in Oregon. They are a progressive rock band led by composer and bassist Tarik Ragab and vocalist/arranger Moorea Dickason. The duo has earned a reputation for pushing musical boundaries with catchy hooks, blistering riffs and intellectually engaging lyrics. In Calliope, they bring these elements together with Hanson's electric bassoon for an unprecedented collaboration that fuses progressive rock's complexity with the improvisational freedom of jazz.
I had returned from a trip to Sequoia National Park in July of 2008 and was inspired by the great trees. I knew that these would be the basis for the new work, and in searching for a voice of these great trees I turned to the words of John Muir for inspiration.
Each movement of The Sequoia Trio (oboe, clarinet, bassoon sheet music) takes a quote about Sequoia trees from John Muir's book The Yosemite and uses it to inspire the music. The opening waving pattern creates the gentle breeze as the growth of the tree starts in the bassoon, moving through the clarinet and is carried all the way to the top of the tree through the oboe. Movement two is sassy and jazzy, describing the kind of resilient attitude that young trees must maintain in order to survive. "The Three Graces" plays on the idea of the three instruments in the ensemble and Muir's own reference to Greek mythology. Finally in "The Noble Trees" the instruments play a hymn-like tribute to the largest living things on earth. The two "Tree Interludes" represent the individual voice of a tree and its story.
This piece was written during my composer residency with the Vientos Trio during 2008-2009.
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